Giorgia – a graduate school girlfriend – elevated her quiet nature into an imminent road hazard whenever we strolled down the sidewalk. Male drivers – necks straining, eyeballs bulging—often smashed into telephone poles or clipped fire hydrants as we sauntered down the avenue, heads up for automotive danger.
Living on the same dormitory floor— we knew each other by sight — but never talked until the night I got blind drunk after breaking up with another undergraduate, an artist who drove race cars.
Can you drive me home? I asked Giorgia, dangling keys in front of a nearly-flawless face slightly smudged by a deviated septum, a casualty of early Cocaine Wars. She sat talking to girlfriends at the last bar I stumbled into and laughed a yes with smiling eyes before leading me to the car.
I thought you were never going to talk to me, she said, after I blurted a lame excuse to lay the back of my head down on her lap while she drove.
Too forward for a sober man, but acknowledging my condition, she laughed and acquiesced, giggling as I looked skyward, vision blotted out by anti-gravity projectiles. I’d grown up on a dairy farm and remained unimpressed with mammaries, perhaps making me attractive to such fine specimens.
Giorgia made extra money tutoring “special needs” college students, so I knew there was a beating heart under the quivering mamilla.
We enjoyed each other in countless ways, but then I drove off to Chicago to try out my new degree, and she stayed behind, three years younger and needing attention.
Then Christmas arrived.
Her parents, working-class Italian immigrants with World War Two in the rearview, lived in the suburbs, so we met there, six months of my neglect shading the day. I drove out from the city and she drove up four hours from the school. She didn’t need to announce the new attitude sparked by my six-month absence. The slumped shoulders, the sad turn at the corner of her mouth, and the failure to meet my eye screamed infidelity.
I sorely missed my own family during this precious holiday – turkey, gravy, red wine, brother, parents – as I sat down to a Christmas dinner of spaghetti and meatballs. Pizza.
And when her mother bent over to retrieve a box of frozen shrimp sweating under the icebox – it says right on the cover, keep under refrigeration! – darkness turned to light.
Varicose veins, yellow smoker’s teeth, boobs running over knees, forty-five extra pounds. Unassisted grease farts lifting a faded house dress in a hot kitchen.
The future.
When we kissed goodbye and Giorgia swished back to whomever now shared her collegiate bed, I felt the weight lift, the spirit rise. A window opened.
Glowing skin, radiant eyes, gravity-defying bazookas. Under refrigeration, crammed into bras, or blowing in the wind, they could not defy gravity. Forever.
May they attract a better man while they can, while they stand — a man who can go the distance — I prayed.
Someone who neither contemplates expiration dates, nor the continuous emotional support of a sad-and-saggy princess.
Have you ever noticed how everything is political now? Even Mr. and Mrs. Potato Head. So let’s focus on what’s important! Plastic! Tater heads!
Dee Dee Ramone Potato Head bt Nacho Tamez and Leo Kambayashi of Media Bullys
Mr. Tater Head.
He’s in the news.
Mr. Tater Head.Mrs. Tater Head
She’s political.
Mrs. Tater Head.Doesn’t matter
How many died
Of the Covid.It’s Mr. Tater Head.
He’s the Man.
He’s political.So let's focus
On what’s important:
Plastic Tater Heads.Mr. Tater Head.
Lost his sex.
He’s a eunuch now. Mrs. Tater Head
Lost all her parts.
She is barren now.Baby Taters
Come from somewhere.
From the plastic patch?Mr. Tater Head.
He’s lost his sex.
He’s a eunuch now. So let's focus
On what’s important:
Plastic Tater Heads.
A certified rock star, whose stage apparel and song lists hang in Nashville’s Country Music Hall of Fame, graced Johnson City’s Down Home Saturday night on February 8th to promote Stand Tall, an homage to Jason and the Scorcher’s 1996 release Still Standing.
Jason Ringenberg, 8 February 2020, The Down Home, Johnson City, TN.
The owner of this famous pickin’ parlor – Ed Snodderly – is also honored inside the CMHOF, lyrics to his “Diamond Stream” hanging prominently near the rock star’s regalia. Don’t know Ed? Perhaps you saw him at the movies playing the “crazy fiddler” in the Cohen Brother’s classic O Brother, Where Art Thou?
“Jason” – his middle name – wandered up and down the Rock Island Line south of his home, jawing Bob Dylan tunes on the harmonica to the beat of ground-shaking freight trains, getting the music down into his DNA … while the rest of us drank beer and drove too fast.
After strumming a guitar and singing a self-penned valedictory “speech” to his high school classmates, Jason slipped down to Carbondale, Illinois to earn a bachelor’s degree (with a minor in history) and to soak up the punk vibe sweeping small clubs in the late ’70s.
In 1981, Ringenberg moved to Nashville, Tennessee, where he soon formed Jason and the Scorchers with Warner Hodges, Jeff Johnson, and Perry Baggs.[1] Their potent mix of punk rock and country gained them fans around the world.[1] In the words of Rolling Stone they "singlehandedly re-wrote the history of rock'n'roll in the South". They won critical approval with the release of successful albums and energetic live performances.[3] -- Wikipedia
Jason Ringenberg, 8 February 2020, The Down Home, Johnson City, TN.
Seriously, there’s a reason for such longevity.
Way back in 1985 I enjoyed my first international trip to the British Isles — I’d paid for college myself through a series of part-time jobs — and was finally debt-free at age twenty-eight and able to travel. Luckily, Jason and the Scorchers were playing an Independence Day bill at the Electric Ballroom in London while I was there.
So I witnessed several hundred British youth bouncing off the walls and waving Rebel flags to “Harvest Moon” – a song recalling our Midwestern youth.
Harvest Moon, shine on down The chill of the air wakes the ghosts of the ground. Northern wind, I hear your voice, But killing frost takes all hope of choice.
The sight of all those kids inflamed and jamming to the boy next door raised my hackles, as the memory still does. Here’s an article claiming Jason and the Scorchers to be the greatest rock band in the world at the time I saw them.
Ironically, my first jet flight may have been my last.
While researching this story I discovered the 1985 Air India ticket that got me there. The plane behind us went down killing 329. Terrorists tried to put the bomb on our plane, but couldn’t get it done. They succeeded the following week. We happened to be in Ireland then, riding bicycles near Dingle and hearing depth charges going off as workers tried to locate the 747 on the bottom of the Irish Sea.
Air India Ticket, 1985.
At the same time Jason rocked the Electric Ballroom, Bruce Springsteen enjoyed seeing his image – the iconic Telecaster draped across his back for the Born in the USA album – draped upon buildings in Piccadilly Circus, while Dire Straits filled Wembley Stadium.
I went backstage, met the band, shook Jason’s hand, and noticed Ringenberg had no interest in partying like his bandmates, obvious professionals. Jason — the eternal designated driver — kept the guys together as long as possible. The last tour (2010) featured two original members — Jason and Warner Hodges — still standing.
The last time we talked was at a classmate’s memorial, and although Jason had aged like the rest of us, the family genetics, a harmonious healthy lifestyle, and calm domestic life revealed a wrinkle-free face marked only by laugh lines and a perpetual grin.
Jason and I aren’t close, and honestly, I’m not a huge fan of the music, though I’m fond of O Lonesome Prairie, as corny as it is. Golden Ball and Chain is a killer rock and roll thunder bomb, indeed. But Bonnie Raitt, Mark Knopfler, Robbie Robertson, Eric Clapton, and the mailman from Crystal Lake, Illinois – John Prine – do it for me.
"Imagine introducing into this atmosphere a lanky hick from an Illinois pig farm who wore a goofy faux-leopard cowboy hat and shiny fringed shirts that made him look like Porter Wagoner on mescaline, a guy who whipped his body around as furiously as he did his microphone cord," wrote Mansfield. "Back him with three of the town's most notorious rockers," and that was Jason & the Scorchers. -- Index of American Biographies
I saw Porter Wagoner once, hosting the Opry to a packed show at the Ryman, and witnessed a bus-load of Japanese pressing the stage, looking directly up into the stage lights.
“How do my nose hairs look tonight, folks?” he cackled. “Long enough for ye?”
Jason’s three years younger than I, and hog farmers usually don’t hang out with hog farmers due to the smell. Two nice-looking farm girls living south of us were good friends, but they resided on the Hog Farm from Hell with thousands of confined porkers. Made our two-hundred-fifty outdoor rangers smell like roses, so I never went over much. When I did, we’d laugh at rich Chicago folks driving by with handkerchiefs draped over their faces.
Olfactory fatigue is God’s gift to the hog farmer.
One of my favorite images of Jason was on a summer day in my sixteenth year after I bought a Gibson SG Junior and a Fender Princeton amp. Exactly two minutes after I hit the first power chord, there he was, standing in front of me asking about the guitar – his house a half-mile away.
I certainly admire Jason’s genuineness, his exceptional energy – if we could harness that left leg, whole cities could remain off the power grid – the truth inside his lyrics, and the passion he brings to every show, no matter the size or location.
There were about thirty at the Down Home Saturday night, all rabid fans. They asked him to play obscure songs only true admirers would recall. At the break, Jason sat down at our table to swap news. A polite word for gossip.
“The word is your mom is driving around town twenty miles an hour while reading the Bible,” I said, sheepishly. Felt the blood leap up into my face.
Passing fake news is a Mark of the Devil these days.
A true hero of Sheffield, Jason earned it by exemplifying Midwestern values, kindness, humility and a perpetually positive attitude. His mother, ninety-one this year, still drives to town for groceries and warms your heart with friendly hugs every time you see her. The intelligence flashing in her eyes mirrors Jason’s, smiling eyes perpetually admiring God’s handiwork, grateful eyes pondering the blessings and grace that make this life possible to navigate.
“That’s a rumor,” said Jason. “She got picked up for driving too slowly and not knowing what to say, she held up a Bible that was lying on the passenger seat.”
Long pause. Then wife Lana cut in, trying to save my trash face:
“I grew up on a small farm near Sneedville, Tennessee. If nothing’s happening, folks make stuff up to fill the void. Exaggeration is the name of the game. Storytelling never ends.”
Time keeps on slipping, slipping, slipping.
One day you’re a teen power-chording a new amp on the front porch, the next day you’re watching the neighbor in his heyday wowing London, and then suddenly you’re receiving social security checks and the graying troubadour from across Route 6 croons to your wife in a small room of adoring fans while she marvels at human connections transcending space and time, connections threading through us from cradle to grave.
Which is something to acknowledge and cherish.
While we’re still standing.
Videos from The Down Home, 8 February 2020, Jason Ringenberg, Stand Tall tour.
Our church family now publishes amateur photographs — scenes inspired by the Holy Spirit — on its social media site. The response has been heartwarming, and immediate.
“Through movement and stillness, the reflection of God’s love is all around us. I sense the presence in the purest elements and moments. Nature, family, friendships, and our new community in this church. — Amy Christine Pfieffer.
The visual world — shared through photographs since its invention in the mid-1820’s — affords free travel for all to locations and perspectives previously unimagined.
And because we’ve been awarded an ever-changing visual display of diversity — if there’s anything God loves, it’s diversity — we need to note and share it, which is one more way to spread the peace and love of our Creator.
Watching our children grow in faith and develop their talents is a blessing for all to see.
Unlike Francis Collins, the renowned American scientist who came to faith from an atheistic background, I was an early convert. A one-banana monkey.
At age seven I found myself alone in the woods where every branch was encrusted with a quarter-inch of fresh ice, the result of a slow, freezing, overnight rain. Lying on my back upon encrusted snow, I witnessed the clouds parting, the sun arriving, the most wondrous light show appearing, the wind nudging branches in slow kaleidoscopic circles while my young brain popped with sensory overload.
A new vision every day …
This spectacle could not have created itself, any more than all the other spectacles to follow, witnessed by seven billion different ways through seven billion different perspectives, all changing each half-second.
Francis Collins had to map the human genome to “get it”. But this simple country boy was poleaxed by a simple ice storm.
***
My paternal grandmother put a camera in my hand when I went to college — a 60’s era Leica — and I wore it out, along with dozens of digital models over the years. Several file drawers now bulge with negatives and prints, and the safe is stacked with hard drives instead of cash.
Why?
Because there is no end to the ever-changing display of visual bounty He’s gifted the world.
One doesn’t need to be a photographer to enjoy the show, but one should notice, and share the experience — conversation works — and to feel a little gratitude for the gift.
